|
|
Australian Art Education Vol. 32, Special Edition, 2009
How should the creative object be represented in the Visual Arts in the Australian Curriculum?
Kerry Thomas, School of Art History and Art Education College of Fine Arts, University of New South Wales
Abstract
This paper briefly examines selected key concepts about the creative object that should be central to any discussion about the framing of the Visual Arts in the learning area of the Arts within the proposed Australian Curriculum. Given the significant value placed on the new, novel, innovative, and the need for what is produced to be intelligible to the field in the visual arts, it is timely that this discussion takes place. Concepts include creative expression, talent, the creative process and problem solving, the creative disposition, discipline and creative practice. This paper also notes the emergence of alternative discourses within these key concepts that have arisen over time. The discussion concludes with some brief thoughts on the possible implications for the Visual Arts in the Australian Curriculum.
Download this paper.
Accessing the files in this area requires you to log in.
Your username is your AEA membership number and your password is the part of your email address before the @ symbol.
Usernames and passwords are all lowercase. |


|
Editorial - Climate Change
Penelope Collet, La Trobe University, Bendigo
The Australian Aboriginal Visual Art of the Central and Western Deserts: A comparative approach
Christine Nicholls, Australian Studies, Flinders University
How should the creative object be represented in the Visual Arts in the Australian Curriculum?
Kerry Thomas, School of Art History and Art Education College of Fine Arts, University of New South Wales
Seeing As A Way Of Knowing: The Relationship Between Observation And Meaning
Bernard Hoffert, Faculty of Art and Design, Monash University
Can Images Be Texts? Visual Literacy, Culture and Thinking in Educational Contexts
Frances Alter, University of New England, Armidale
The formation of visual as concept and practice in art education: towards an understanding of disciplinarity
Joanna Barbousas, School of Education, Australian Catholic University, Mount Saint Mary, NSW
Primary Focus - A Partnership Model for Artists in Schools
Miranda Free, School of Education and Professional Studies, Griffith University
Dr. Glenda Nalder, School of Education and Professional Studies, Griffith University
Lee Fullarton, Education Queensland & Primary Arts Network, Ipswich
The International Creative Boy Initiative: Issues associated with developing international research opportunities
Wesley Imms, Melbourne Graduate School of Education, University of Melbourne
AEA C/- AEV, 150 Palmerston Street, Carlton, Victoria 3053
Phone: +61 3 9349 5188 Fax: +613 9349 3389 Email: enquiries@arteducation.org.au |