Australian Art Education, Vol 34, Special Edition No. 1, 2011
About Australian Art Education
Contents
Editorial
COLLABORATION, INNOVATION AND INCLUSION
Narelle Lemon, RMIT University
Articles
CULTURAL VILLAGES FOR THE PROMOTION OF ARTS EDUCATION:
AN INTER-DISCIPLINARY PERSPECTIVE
Lindy Joubert
Chris Platania-Phung
Tina Samson
The Melbourne UNESCO Observatory - Multi-Disciplinary Research in the Arts,
The University of Melbourne
ARTISTS WHO WORK IN SITES OF LEARNING: WE ARE ANYTHING BUT TEACHERS!
Mark Selkrig, La Trobe University
MODEL FOR TEACHING AND LEARNING IN ART MUSEUMS AND CULTURAL SITES
Donna Mathewson Mitchell. Charles Sturt University
KALDOR PRIMARY PUBLIC ART PROJECT: WORKING WITH CONTEMPORARY PUBLIC ART
AND TEACHERS THROUGH THE e5 INSTRUCTIONAL MODEL
Narelle Lemon, RMIT University
WHAT ART PRACTICES ENABLE CHILDREN TO BE, BECOME AND BELONG AS CULTURAL
CITIZENS? INTERPRETING CULTURAL CITIZENSHIP AT ARTPLAY
Robert Brown, University of Melbourne
THE POLITICS OF SPACE IN ART EDUCATION
Jennifer Elsden-Clifton, RMIT University
DIGITAL SELF: PRIMARY STUDENTS AND COMPUTER ART
Jenny Evans, Arizona State University
REVISIONING THE SELF - SELF-PORTRAITURE AS EDUCATOR PROFESSIONAL
DEVELOPMENT
Linda Knight, Queensland University of Technology
BRIDGING VISUAL ART AND NEUROSCIENCE:
Lynette Wallworth’s Duality of Light, An educator’s perspective
Christine Judith Nicholls, Flinders University, Adelaide
SHIFTING DESTINATIONS: EXPLORING CRITICAL PHOTOGRAPHIC PRACTICE IN THE
CONTEXT OF EMERGING TECHNOLOGIES
Adam Brown , James Cook University, Queensland, Australia
University for the Creative Arts, Maidstone, UK
Accessing the files in this area requires you to log in.
Your username is your AEA membership number and your password is the part of your email address before the @ symbol. Usernames and passwords are all lowercase. |